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・ Ramon Cugat
・ Ramon d'Abadal i de Vinyals
・ Ramon d'Abella
・ Ramon d'Salva
・ Ramon de Elorriaga
・ Ramon de Rosselló
・ Ramon de Vilana Perlas
・ Ramon Dekkers
・ Ramon Del Barrio
・ Ramon Despuig
・ Ramon di Clemente
・ Ramon Djamali
・ Ramon Durano VI
・ Ramon d’Ortafà
・ Ramon E. Rasco
Ramon Enrich
・ Ramon Espadaler Parcerisas
・ Ramon Estevez
・ Ramon Fernandez
・ Ramon Filippini
・ Ramon Folch i Guillèn
・ Ramon Foster
・ Ramon Franco
・ Ramon Gallegos Nava
・ Ramon Gittens
・ Ramon Gjamaci
・ Ramon Gomez Portillo
・ Ramon Gonzalez, Jr.
・ Ramon Goose
・ Ramon Guthrie


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Ramon Enrich : ウィキペディア英語版
Ramon Enrich

Ramon Enrich (Igualada, 1968) is a Catalan painter and sculptor. His artistic vocation was influenced by his father, Ramon Enrich, a knitwear manufacturer who taught himself drawing, music and architecture.
He studied Fine Arts in Barcelona, and also History (unfinished) and Graphic Arts. Late 80s, he obtained some scholarships to paint and exhibit abroad. He spent long periods in Mousonturn cultural centre in Frankfurt, and in Berlin. Great admirer of Donald Judd, he moved to the United States in 1988 and he settled down in Marfa, where Judd lived. In the Chinati Foundation and in the Judd Foundation, he exposed works he developed there. Later, he travelled to Los Angeles, where he met Ed Ruscha and worked with David Hockney. Then he settled down in New York, where he worked as an assistant in Julian Schnabel’s studio.
He has exhibited many times in Barcelona, Amsterdam, Hong Kong, New York, Brussels and Paris. Nowadays, he lives and works in Igualada.
==Works==
There are some recurrent issues in his paintings concerning the relationship between architecture and landscape. He paints large empty scenarios formed by
architectural and vegetal elements, being specially interested in the simplification and essential representation of things.
They are big canvas with unanimated and mysterious choreographies coming from a reality sieved by geometrics and metaphysics. He plays with a symbolical alphabet of elements: great typographies, the cypress, manufacturing warehouses, deposits, ponds, ramps, baroque gardens. They are timeless, close to surrealism and, with an ironic treatment of landscape coming from romantic tradition.
Blaude
File:Cartell-zaragossa-collage.jpg
Cartell-zaragossa-collage
*1993: Marburg Museum, Marburg (Germany)
*1994: Mousonturm, Frankfurt
*1994: Galeria Trece, Ventalló (Catalonia, Spain)
*1994: Museu für Moderne Kunst, Mittelhof (Germany)
*1999: Rare Art Properties, New York
*1999: Pfund Galerie, Berlin
*2001: Martin Gallery, Hong Kong
*2001: Àmbit Galeria d’Art, Barcelona
*2002: Galeria Ignacio de Lassaleta, Barcelona
*2002: Galeria Spectrum, Saragossa
*2003: Galeria Arcturus, Paris
*2003: Nord LB Bank, Hamburg
*2005: Maison Kregg, Brussels
*2005: Galeria Il Polittico, Rome
*2005: Sala Parés, Barcelona
*2006: Hof&Huyser, Amsterdam
*2006: Art International, Zurich
*2008: Museu de Llavaneres (Catalonia, Spain)
*2009: Galeria María José Castellví, Barcelona

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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